![]() There are also a variety of simple ways you can share your photos from Lightroom Classic, via a simple export that allows you to process the source image to your needed specifications, by creating a slideshow, by printing your photos, creating web galleries, or even producing a printed book. Lightroom Classic also has an embedded map feature, so you can view photos with GPS coordinates in metadata directly on the map, which makes use of Google Maps data. While the catalog that is at the core of Lightroom Classic has caused frustration for some photographers, it also provides the benefits of being able to search across your entire library of photos very easily, and even work with your photos when the source image files aren’t available, such as when an external hard drive containing photos is disconnected. In this context, the real benefit of Lightroom Classic revolves around organizing and sharing your photos. For Lightroom Classic users, that would simply mean sending the photo from Lightroom Classic to Photoshop to continue working on the image, just as if you had initially used Camera Raw to process the raw capture. ![]() Camera Raw and the Develop module in Lightroom Classic both provide the same set of tools for processing a raw capture.Īfter processing the raw capture, you could of course make use of the many powerful tools in Photoshop to take the image further. More Detail: Photoshop users who aren’t using other software to process their raw captures will be using Adobe Camera Raw for that purpose. Tim’s Quick Answer: For photographers who are already comfortable with Photoshop, the primary advantage of Lightroom Classic is a more powerful workflow for organizing and sharing your photos. Today’s Question: I’m used to Photoshop, so why should I consider Lightroom Classic? So, whenever you are close to a 1/15th of a second exposure, I recommend employing mirror lockup if your camera includes that feature.Īnd of course with a topic like this, photographers who have already transitioned to a mirrorless camera can revel in the knowledge that vibration caused by a moving mirror is not something they need to worry about anymore. And for relatively long exposures, the vibration caused by the mirror movement will be a small portion of the overall exposure, and therefore will not create a visible blur.īut for an exposure duration of about 1/15th of a second, that vibration can have an impact on the overall sharpness of the photo. With a fast shutter speed, the short duration of the exposure means the vibration caused by the movement of the mirror will not be significant enough to create any visible blur. Needless to say, that is something you want to avoid. This won’t be the major type of motion blur you might see if you captured a long exposure while moving the camera around, but rather will generally just make the image look a bit out of focus. The movement of that mirror can impart a degree of vibration to the camera, which in turn can cause a degree of motion blur in the photo. When capturing a photo with an SLR, the mirror moves out of the way, the shutter opens to create the exposure, the shutter closes again, and the mirror moves back down into place. ![]() Needless to say, mirrorless cameras do not include the mirror, which is where the name fo this type of camera comes from. More Detail: One of the features that makes a digital SLR an SLR (single lens reflex) camera is the mirror that enables you to use the optical viewfinder to observe the view through the lens as you are composing your scene. Tim’s Quick Answer: The general rule of thumb is that you should employ the mirror lockup feature (if your camera is so equipped) when you are working with a shutter speed of around 1/15th of a second. Today’s Question: Under what circumstances do you use the camera’s mirror lockup feature? ![]()
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